That Floating Excrement Was Far Too Symbolic! These Are the TV Disappointments of the Year.

Looking back, we consider the TV landscape of the recent year, a selection of series emerge not for their brilliance, but for their spectacular shortcomings. From cringe-inducing sequels to confusingly poor docuseries, here are the programmes that had us utterly bewildered or simply reaching for the remote.

And Just Like That

How to start with this love/hate spin-off? Burdened with dreadful scripts, painful character development (we demand better for Miranda!), and a mere 71 seconds of beloved Samantha, the series struggled to justify its existence. For a moment, as the final season began, it seemed as if it had at last found its groove. Then came an episode centered on Seema’s natural deodorant. Little surprise the creator declared this would be the final series. It ended on a low point; the closeup of Miranda’s loo full of poo was simply too on-the-nose. Still, viewers undeniably had a hoot picking apart every single “what on earth?” moment. And as Carrie – once again single – danced around her palatial townhouse to Barry White, who couldn't let out a little sob?

All’s Fair

‘Is Kim Kardashian an actress? The answer is a resounding no.’

But that was almost the smallest of this drama's problems. The subject of a exceedingly uncommon no-star review, it was difficult to know where to begin enumerating the flaws. The hilariously leaden writing? The tedious glorification of wealth and materialism? The seemingly deliberate parade of cliches? Performances so poor they felt almost malicious? Let’s just say “all of the above” and never speak of this show again. Except, a second season has been ordered, so we’re likely going to have to.

The Charlie Sheen Documentary

Considering the legal troubles, abuse claims and fatherly failures, it’s fair to say Charlie Sheen has been a bad boy. Not that you’d truly have known it from this multi-part docuseries which chuckled along at Sheen’s various episodes of reckless hedonism while failing to tell us a single thing we didn’t already know. Instead, it felt as if this loose cannon was being pandered to, so any pity this show might induce should be saved for the people who have had to endure proximity with this charismatic but flippant egotist.

The Supercomputer Drama

Naturally we understood it was ridiculous from the get-go: a drama about a AI known as Charlie Big Potatoes that could either solve global crises – or annihilate all of humanity. We persevered out of sheer admiration for its stars … but by the end, it felt like even they had given up trying. One barely reacted when his character died, and the other ultimately slicing Charlie with an axe … in super slow-motion. That's what you call admitting defeat.

The Gangster Drama

Shady characters meeting in deserted boxing gyms? The Prodigy’s Firestarter blaring in club scenes? The late 90s called and wants its crime drama back.

Actually, that is unfair on the gangland dramas of the late 90s. Many seem a bit old-fashioned now, but at least they didn’t endure the embarrassment of having to accommodate unconvincing dialects. But there were many other problems. Primarily that it was just really dull; a dispute over narcotics territory between various London rogues which seemed a bit basic.

The Meghan Markle Series

Given the extent to which she provokes the ire of the nation’s performatively enraged commentators, it’s almost tempting to applaud the Duchess of Sussex’s televised ventures into twee lifestyle as intentional statements. But then you view them and are forced to concede that actually, they may have a point. It’s like watching a homeware magazine come to life; a meme for evening drinks with delusions of grandeur; a parade of sleeping dogs, buzzing beehives, Hallmark platitudes and pointless crafting “tips” you’ll forget instantly. All supported by immense, largely undeserved wealth. Ugh.

The Beckham Documentary

There are obviously fascinating things to be discussed about both Victoria Beckham and her struggles with career, identity, self-worth. But for whatever reason, this documentary series chose not to say them. Instead, the viewing was akin to consuming a marketing catalogue. She clearly has good reason to bridle at what she describes as her “miserable cow” image. But sadly, she failed to do herself any favours with this cagey non-event of a series.

The Inheritance

It should have been the next big hit – except even more extravagant, with a famous star as a deceased benefactor and a well-known personality overseeing her estate. What more could you ask for? As players battled it out, there was plenty of betrayal and arguing. But the rules quickly became incomprehensible: it’s still too confusing to detail what exactly was happening. Even more disappointingly, we only saw glimpses of the star via prerecorded videos. The series ended up smelling of a programme that was straining desperately to emulate something way beyond it.

The Lena Dunham Romcom

How does one succeed a show that defined a generation? The expectation was immense for this starry romcom about Jessica, a rosy-eyed New Yorker who lands in London with a shattered romance. The star took her biggest role by the horns and was a delight to watch, reveling in Jane Austen levels of romantic notions. But it was all very slick and, paradoxically, was not enough. Plus, the sheer amount of celebrity friends involved felt uncomfortable.

Mitchell & Webb Are Not Helping

Not good enough to be ‘uneven’.

Given the shrewd inclusion of talented emerging comics, hopes were high. But sadly, most of it didn’t land. A particular sketch was a single joke milked to a dry pulp but recurring in every episode. One star seemed too willing to slip into a well-known ranting mode. The writing room sketches, in contrast, simply provoked the idea that they should probably have remained in there a bit longer.

The Twisted Tale of Amanda Knox

This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much solely presented the viewpoint of Amanda Knox. So, while there probably is an compelling drama to be made about the horrific 2007 murder, this isn’t it. The subject matter needed to be treated with care. Instead, the series laboured awkwardly to find the right tone, lumbering from oddly breezy, somewhat mannered farce to inevitably, real-life horror. Complex? Perhaps. A complete mess? Absolutely.

The Maths Genius Thriller

We admire the lead actor … but did we buy him playing the greatest maths genius in history, a man so smart he’s on the brink of a discovery that could ruin society? Nope! This international thriller about government agencies targeting – and eliminating – intellectuals honestly got more farcical by the second. Formulaic nonsense.

The Bonnie Blue Documentary

This hagiography followed the content creator notorious for sexual exploits as she prepared for her most extreme challenge yet. What on earth would possess her? What we craved was far greater examination of her actual psychology, plus those of the men in the line. They could at least have interviewed the now-famous mum who appeared to haul her son out of the queue. What we got was horrific shots and zero interrogation of her notoriety whatsoever. It's staggering to consider, the documentary-maker has a teenage daughter too.

Veronica Alexander
Veronica Alexander

Automotive journalist with over a decade of experience, specializing in vehicle testing and consumer guides.